The system is currently in the development stage and is expected to be used for archiving purposes, especially for storing Super Hi-Vision content.
STRL has been also studying a holographic reording technology that can store huge amount of data and record Super Hi-Vision video signals. The new system is based in the angle multiplexing recording method: The method changes the relative angles between an incident beam and the recording medium, allowing to record different data in the same place. STRL has managed to increase the data access speed by changing from a way the recording medium is rotating. The new method controls the incident angle of teh beam on the recording medium. STRL also claims that they made it possible to record and reproduce data in any type of recording medium configuration. In addition, the improved holographic recording system is compensating for distortion. Vibrations, temperature changes and changes in the volume of the recording medium cause distortions in the recording process. To maintain a high signal quality under such circumstances, STRL used wavefront control techniques to achive the optimal conditions for beam wavefronts in recording and reproduction.
STRL says that the new experimantal holographics recording and reproduction system offers four times the recording density of the corresponding system shown at last year's Open House 2009 show. This has been achieved by increasing the numerical aperture of the object lend used in the system. Generally, a large numerical aperture means that the beam can be made to converge on a smaller area.
STRL plans to continue to develop the holographic recording technology's signal processing methods and optimize its optical systems. The goal is to make a holographics recording equipment that can record Super Hi-Vision video signals.
The Super Hi-vision (Ultrahigh-Definition Wide-Screen System with 4000 Scanning Lines) format is still experimental, and NHK researchers build their own prototypes from scratch. The system uses a video format with 7680 x 4320 pixels (16 times higher than standard Hi-vision, NHK?s HDTV system). Although Super Hi-Vision has increased resolution compared with existing HD standards, it uses the same number of frames per second (60 or 50 Hz, whereas modern cinema films are usually 24 Hz).
The ultimate goal is for UHDTV to be available at homes, though the timeframe for this happening varies between 15 to 25 years, mainly based on supported technical reasons to do with storage and broadcast distribution of content.